Snow falls, blanketing the streets and alleyways with a thick layer of impassible white. The throughways clog up and the hills ice over, and on what’s supposed to be one of the busy nights in the restaurant business, the Ritz Restaurante is virtually empty. With an overstocked kitchen of swordfish fillets and prime rib, Marty and Tricia, co-owners of the charming bistro, are having a less than stellar Valentine’s Day. They’ve been married for ten years, and have put off starting a family until they were financially secure. At least they’ve never had to worry about filling the tables on February 14th, not until this year anyway.

The place is not completely empty though, Andrew is here, as are Monica and Gloria. Andrew sits at a table by himself, enjoying the atmosphere, while his angelic cohorts have been hired on to help with the “busiest” night of the year. In truth, there is little for them to do.

But the angels aren’t the only souls to brave the weather. Riley is here with his girlfriend, Amanda. They’ve been together for two years and this evening will represent a big change for their relationship. Riley wants to propose, and she wants to break up with him, and neither one has the least idea about the other’s plans. Charlotte is here too. She is waiting to meet a blind date, a man she met on the internet. She embarrasses herself by mistaking Andrew for him, but resolves herself to sit and wait for her tardy date. Eventually he shows up with Tess, who’s car he towed. When they finally sit down together, he and Charlotte are very awkward, unable to be free with themselves in person as they were online.

Tess joins the angels at Andrew’s table and tells them that they are here to watch one of these couples fall in love. But which one?

The final couple of the evening arrives in the forms of George and Loretta a smarmy couple celebrating their 49th wedding anniversary. They are planning on a cruise for their 50th. Unfortunately, according to Andrew, they won’t both be there for the happy occasion. This is just one troubling aspect of the evening.

Marty and Tricia are fighting about money and their chance to have children. Amanda refuses to stop using her cell phone, and when Riley proposes, she flees to the restroom. Ben is unsure of himself, and finds his attempt at charm brushed aside when he suggests that Charlotte brush her hair back from her face. She has been using it to hide a ragged scar that runs along the side of her visage. But things turn around, George and Loretta, informed by Andrew of their fate, privately plead with him to take them rather than their spouse. Ben surprises Charlotte by revealing that it was he who pulled her car from the ravine after the accident that gave her her scar. Monica convinces Amanda to talk to Riley, and when he saves a choking Marty’s life, she is once again smitten with him. And Marty’s brush with death, makes he and Tricia forget their petty squabbles and finally fall in love after ten years.

The sun rises over the grittier end of Chicago, and the light of dawn cuts right through Maury Hoover’s eyelids and into his hangover. He grumbles his annoyance and embarks on another day of deceit, never knowing that there are angels in his future.

Scooping coffee grounds from his potted plants and wondering that they’re still alive, he readies himself for the rigors of the day. But first… a client. The door swings open and in steps a classic Femme Fatale, only this is Monica, so she’s a Femme Angele. She plays the part perfectly, intriguing and mystifying Maury, until he agrees to take on her missing person case. And if he can wrap it up in two days, she’ll double his pay. All he has to do is find Jim Grant. It shouldn’t be hard, after all Monica has supplied him with a description, a last known address and a fingerprint. Before Maury can ask her how she got the print, or what this guy is to her, she has vanished. Dames.

Maury hits the local diner for some breakfast and to beg a favor from a cop friend, then meets up with the runaway street-walker he’s sort of adopted, Delphina. She’s led a troubled life; left without a mother, beaten by her father, muscled by a pimp, and dreaming of the good life as a fashion model. But with Maury’s help, that dream may become a reality. He takes her with him to a local bar, where the two of them hustle rich men who are naïve enough to fall into their trap. Sure it’s dishonest, but it brings the money in.

Only it doesn’t always go as planned. This evening, Delphina is taken outside. Maury hurries out after him, but is blind sided by Lennie, the aforementioned pimp. He’s angry that Delphina has left him for Maury, and even more so that she’s kicked her drug habit. He beats Maury up in retaliation. He might even have done worse if Andrew hadn’t stepped in. He and Delphina get Maury home, where they convince him to hire Andrew onto the case. After all, he needs someone to watch his back. Maury gives Delphina a couple of bucks to get something to eat, while he and Andrew check out a lead on the missing Jim Grant.

They stake out his place, and at last the very man they want comes home. Posing as Gas Company workers, they gain admittance to the residence and look for evidence they can show Monica. What Maury does find does not please him. According to the pictures on the mantle, Jim Grant is Delphina’s father, and her name ain’t Delphina, it’s Violet. Maury questions him carefully, and without giving anything away, discovers that Delphina’s dad never beat her like she said.

The next day Monica appears, and pays Maury for his work. It’s a fat wad of cash and it doesn’t cheer him up. He struggles with what to tell Delphina, but he’s come to like being needed by her. He hands her the cash, telling her it will put her through modeling school. She’s overjoyed, saying that now she can go back home to her dad with her head held high. Maury fumbles, and tells her that he’s found her father, and he’s dead. Delphina is shattered.

When Maury is gone, she falls off of the wagon and back on the vein train, taking up her old drug habit. It is only luck and a little angelic help that keeps her from overdosing. After a couple revelations, Maury sets things right, telling Delpina the truth, reuniting her with her father, and making a deal to get Lennie locked up as well. Days may start bad, and they may get worse, but as long as the angels are on the case, they can get better.

It’s Christmas Eve and all through the shop, a party is waiting for the workday to stop. The angels have come to lend joy and aid, to the little old watch shop that’s starting to fade. Piltdown & Sons is the name of the store, but after this Christmas they’ll do business no more. Across from ground zero the watchmakers sit, though their store was spared, their business was hit.

Gloria finds troubles in Mr. Piltdown’s finance, but she hates to disrupt the song and the dance. But still he must listen, still he must know, he must have the time to let it all go. When Gloria tells him he takes the news bad, this is one more loss on top of all that he’s had. Oscar, Chris and Agnes, his workers, his friends, will they still be so close when their legacy ends? And so Piltdown tells them, and know they all see that this is the last Piltdown Christmas to be. Sadness and anger and confusion all reign, to lose it all now causes such pain.

But in Andrew comes with one final chore, a Piltdown watch has been found in the rubble next door. Do they know where it’s from, do they know whose it is? They hope and they pray that perhaps he still lives. They look through the books and check the old sales, but it’s their memory of Joshua, in the end, that prevails. Dialing the number with a big bated breath, they hope for a life, but fear for a death. A woman’s voice answers, sad for the season, this time of year there can be just one reason. Her husband is gone, her son has no father, could they please fix the watch, would it be such a bother? Piltdown, he thinks, as do Agnes and Chris, should their last work together be for something like this?

The answer is yes, what else could they do, what are their troubles compared to those two? A mother and child of a father bereft, this little old watch is all they have left. And all through the night, the watchmakers toil, tightening and tweaking and winding the coil. The angels lend spirit, and purpose and joy, to grant a holiday wish to a poor little boy. And when the day rises and Christmas is here, they’ve done their best work in many a year. Mother and child arrive and thank them sincere, for a little old watch that they’ll always hold dear.

Natalie Tate is trying to keep her life in very neat categories. She wants to go to Yale, she wants to be like her friends, and she doesn’t want anyone to know that she lives in a trailer with her mother, Annie. Annie, on the other hand, thinks her daughter is perfect; smart, studious, polite, and completely honest. And what Annie doesn’t know will hurt her.

Ever since they moved to town, Natalie has been passing herself off as wealthy. She tells her friends and pretty much anyone who asks, that her mother is in Paris on business. But apart from these deceptions, she is trying hard to make something of her life. She is building a relationship with her boyfriend, Ben, and she is taking the SATs as often as she can in an effort to earn a scholarship.

Annie, meanwhile, is trying her hardest just to keep the two of them afloat. She works as a cocktail waitress at a trashy bar. She also plans to start selling cosmetics door-to-door in an effort to help her daughter along to a brighter future. She is so set on focusing her energies on Natalie, that when her daughter asks for a cell phone, Annie allows herself to be convinced. Despite their serious lack of financial security, she buys one. It is through this generous act, that Annie finally learns some of the truth. When her daughter forgets her cell phone, Annie answers it and discovers that instead of going to an honor society meeting, Natalie had planned a date with Ben. Rather than admit lying, Natalie rages at her mother for invading her privacy. Things are not going well between the two of them, and it is obvious to Monica, who has just moved in to the trailer next door.

The next day, while selling her cosmetics, Annie comes a cross a snobby woman named Rebecca. Rebecca is Ben’s mother, and Annie is still at the house when Natalie arrives with her boyfriend. She’s shocked to see her mother there, and tries to ignore her. To her relief, Rebecca whisks her off to get her hair done for a college recruitment party.

Later on, back at the trailer, Monica urges them to talk to each other. Natalie admits her lies, and the reasons for them. She is embarrassed. All she wants to do is fit in. Annie is still hurt, but she understands some of Natalie’s feelings. She tries to get Monica to help her become the woman that Natalie says is her mother. Monica refuses. She thinks that one deception can not be fixed by another. Annie decides to do it anyway. She shows up to the party in second-hand designer clothes, and talks on and on about Paris. Natalie is mortified, even more so when Annie blows it. The only way to salvage the situation, is for the angels to convince both mother, and daughter, to be true to themselves and to each other. They go back inside, without pretense, and talk to the college representatives.

Buzz Wescott dominates the drive-time airwaves throughout the Minneapolis-St. Paul area. His radio show is number one and about to go national. All he needs to get where he wants to be is that little something extra. Of course, that little something is going to push him in a direction he never anticipated.

With the ratings high, and the usual amount of idiot callers, Buzz is just settling into his routine of pre-made insults and mock outrage, when something happens. He is informed by his producer, Su Kim, and his call screener, Monica, that his guests for the hour have cancelled. It seems that the Siamese twins he had booked are stuck in traffic due to the ill-timed suicidal impulse of a depressed teen.

Scott Hardwick, is fifteen, and reeling after the suicide death of his best friend. Having just arrived home from the funeral, while his parents are away on a cruise, he has stepped out onto the ledge of his apartment building to contemplate jumping. This decision has led to a gigantic traffic jam, as people stop their cars to look up at him.

Buzz is inspired. After talking with a classmate of Scott’s he plans to take his show to the next level. He decides to call Scott and put him on the air. By this time, Sgt. Richardson and his partner, Gloria, have already arrived on the scene. They answer the phone and pass it out to Scott. It is only after Scott picks up, do they realize that the man on the phone who claimed to be his father, is actually Buzz Wescott. Amazingly though, Buzz actually begins to get through to him. Scott is a fan of Buzz’s and once they begin to speak, a connection develops. It seems that Buzz has a real chance to help the boy. But first he has to cut to commercial.

During the commercial break, Buzz takes a call from his lawyer, who tells him that his request for joint custody of his children has been denied. Buzz is shattered, he had his hopes up and now he has nothing. He goes back on the air and tells Scott to get on with, that he’s holding up traffic. Soon the people listening in the traffic jam begin to take up the cry. As Scott reels from Buzz’s parting words, the chant of “Jump!” filters up to him from the street. Now he is shattered.

After Buzz storms out of the studio, Monica confronts him with the truth of what he has become. A man who alienated himself from his family for success, and now for just a little more, he’s willing to alienate a boy in need. Buzz has lost his compassion and now, thousands of people are screaming for that boy to kill himself. Buzz breaks up. He had no idea it would go so far, he had no idea how bad he’d become. He rushes back to the studio and tries to call Scott back, but can’t get through. So instead he goes back on the air, and unburdens his soul, to Scott and to everyone listening. He begs Scott to take another look at things, to not be dissuaded by idiots like him. He can only hope that Scott is listening. And he is. With the help of Gloria and Sgt. Richardson, he comes in off of the ledge.

In the town of Joseph Wells, Kevin Greeley plays catch with his foster son, Nathan. He has been Nathan’s guardian for seven years, and is in high spirits, because today, the adoption will be finalized.

A couple towns away, Tess sits, unresponsive in her room at the assisted living center. Her Alzheimer’s has progressed, and now she won’t even sing. But when Monica, Gloria and Andrew begin discussing Joseph Wells, Tess perks up a little. Still in her dazed state, she mouths the words “Joseph Wells” over and over again. Later on, when Monica’s frustration has risen, and her fear of never having Tess back the way she was has grown, Gabriel arrives and tells her to go to Joseph Wells to see Kevin Greeley.

Monica does as she is told and meets Kevin outside the courthouse where the adoption will be made official. Kevin greets her warmly, but insists he doesn’t need her help. Everything is great. Nathan is going to be his son. Monica is confused, but happy for him, and accompanies him into court. It is there, when the adoption is all but complete, that a woman enters with her lawyer. They are there to contest the adoption. The woman is Hannah, one of the volunteers at Tess’s nursing home, and she is claiming to be Nathan’s mother. The judge, having little choice, postpones the adoption until paternity can be established. Kevin is outraged. Nathan’s natural mother left him in box on the street next to a burning orphanage. As far as Kevin is concerned, Hannah has no parental rights. He is even more upset when he realizes that Monica knows Hannah, and is unwilling to speak poorly of her.

Monica asks Kevin to come to visit Tess. She thinks that he can help Tess, and that she perhaps, can help him. Kevin agrees, and he and Nathan go to see Tess at the home. There, the Angel of Music waits with his guitar. He and Kevin play a duet and sing “Hand it Over” to Tess. She doesn’t respond, but Monica comes to a realization. “Handing it over” is exactly what she and Kevin need to do. He needs to place Nathan’s fate in God’s hands, and she needs to do the same with Tess. After much deliberation and prayer, Kevin asks God to decide what will become of Nathan. After he does so, he introduces his son to Hannah, and allows them to get to know each other. Later on, as Kevin and Hannah sit over coffee, he asks her to come back to Joseph Wells, so that he can gain a mother without losing a father.

As things resolve themselves on that end, Monica hands Tess into God’s hands, and is surprised by her recovery. In no time, Tess is back to her old self. The angels reunite with joy and tears, their love for each other, stronger than ever.

Lorena Watkins is dying. She has an inoperable brain tumor, and only a matter of days left to live. As though this weren’t troubling enough, she also has a twelve year old daughter, Grace, and no family left to take her in. But what she does have, is a strong faith, and a sense of hope. She walks the labyrinth of a local church every day, taking that spiritual journey that will bring her and her prayers closer to God. And it has worked, because the angels are there and watching her unseen. They are going to help her find a place for Grace, just as her faith has found her a place in heaven. Lorena doesn’t know that help is on the way though, she plans to contact social services and put Grace up for adoption, something that she expects will turn out okay. Lorena herself was adopted and loved her new parents dearly. But she has one card she’d like to play first, and it’s a grim one.

Sidney Alcott works with the dead. He runs a funeral parlor, and though he excels in his job, he has no real sympathy and his condolences are made up almost entirely of play-acting. Whenever the customers are gone the act drops and a very cynical man emerges. It is this man that Monica comes to in search of a job as a pre-needs counselor. When Lorena comes in to plan her own funeral, and mentions her lack of money, Sidney refers her to Monica, hoping that his new employee will get rid of her. Monica, however, has other plans. She talks with Lorena, learns about her tumor and her daughter, and comes to discover that she has a beautiful singing voice. Later when Sidney is need of someone to sing hymns, Monica brings her up. She suggests that Sidney cuts Lorena a deal if she sings for some of the funerals and cleans up around the parlor. Sidney grudgingly agrees. With that, he closes the door on them, sits back, has a drink, and wistfully fingers a sealed letter.

The nest day Sidney indulges in more alcohol to calm his nerves while preparing the remains of a child. When Lorena’s daughter enters the room, she sees the body, and it is only when Andrew insists on covering it, that Grace finally overcomes her shock and flees the room. Andrew is furious. He goes to Tess and tells him that he can’t finish the assignment. He can’t handle Sidney. Tess tells him to pull himself together and stop being selfish. She has him walk the labyrinth and trust in God to put him where he needs to be. As he walks the labyrinth, he is given insight, he knows why Sidney is so cynical and why Lorena needs to be where she is now. Sidney is Lorena’s natural father.

Lorena knows this, she has in fact tracked Sidney down, and has entered his life in the hopes that he would be a good man and would be willing to take Grace when the time comes. But the incident with the dead boy, and Sidney’s lack of concern over what it might do to Grace, Lorena is certain that she made a mistake. She intends to keep her appointment with social services. She finishes her chores around the funeral parlor, and gets ready to go to Grace’s ballet recital, but first she gives Sidney a ticket to the event. Grace wants him to be there, because despite his surly behavior, she still likes him. Lorena delivers the ticket, and leaves. Sidney meanwhile pulls out the unopened letter and begins drinking, it is the letter that he never sent his daughter. He wanted to tell her that he loved her and that he shouldn’t have given her up, but after the death of his wife, he just couldn’t handle the responsibility. And he’s never worked up the courage to find her. While he drowns his sorrow in booze, Grace dances on a stage, and Lorena dies watching her daughter.

When Monica finally confronts Sidney about his daughter, and reveals her identity, it is too late. Lorena is dead and Sidney is shattered. This new blow, has reinforced his cynicism, and he has concern for no one but himself, but with a little help from a few angels, he realizes that while he never got a chance to know Lorena, he still has an opportunity to know her daughter. He goes to Grace and asks if she’d like to stay with him.

While Monica observes her new assignment, David, at a zoo with his family, Tess talks with the angel, Sam. He tells her that she must be strong for what is coming, and not fear because God is with her. Tess says she isn’t afraid for herself, she is afraid for Monica. Sam nods and leaves.

David Satterfield is a husband and a father, and while he loves his family, he doesn’t have much time for them. Even now, at the zoo, he spends his time talking on his cell phone, when he should be watching the bird show with his daughter. He is unwilling to let the day go by with out getting a little business in. His company is going through a major transition, and he feels the need to involve himself in every aspect. Tess joins Monica in her observation, and gets David’s name wrong. Monica corrects her, thinking nothing of it. Later on, Tess is watching some zebras, but forgets what they are called. She refers to them as “stripey-horse-things.” These slip-ups come to a head, when driving back from the zoo, Tess freezes up at a green light. She can’t figure out how to make the car go. Monica is very worried. When they manage to get the car to the side of the road, another motorist, Dr. Coburn, pulls over to assist them. He asks that Tess come to his office the following afternoon for an examination.

The next day, Dr. Coburn, checks on Tess’s condition. After asking her a series of questions, he is certain of the diagnosis, but Monica has trouble believing that Tess has Alzheimer’s disease. While trying to come to terms with this, the two of them must also work on David’s transition team. Tess is of little help in her present condition, and Monica isn’t much more useful because of her concern. Still, she tries to help David along, and also to urge him to cut back on work, and become more involved in his daughter’s life. David shrugs off such suggestions, and becomes irritated with the lack of work getting done. When Tess finally wanders off and Monica is forced to admit the problem, David is outraged. He hires a new transition team, and gives Monica the name of an assisted living center that takes care of Alzheimer’s patients. Monica is at first flustered, but regains some composure when she discovers the Rafael and Sam are the new transition team. She checks Tess into the center and watches as she slips further from the angel she used to be.

Monica is surprised to discover that David’s mother is one of the other Alzheimer’s patients. She begins to see that Tess’s illness and her assignment are somehow related. If only she weren’t so worried about Tess, she might be able to figure it out. After a particularly frustrating day trying to communicate with Tess, and after speaking with Sam, Monica is resolved to finish what she started. She goes to David, and talks to him about his mother. She reveals to him, that while his mother is unable to speak with him, his love is still able to reach her. If he goes on treating her as though she is lost, she truly will be. In the midst of her revelation, she realizes that the same is true of Tess, and resolves to stick with her.

Ed Gold is an underappreciated underwriter for Brewster Financial Services, and he’s in a rut. His bills are behind, his paperboy keeps throwing the morning edition into the sprinklers, and he feels like a nobody. To top it all off, his wife, Gwen wants him to ask for a raise. He knows he won’t get it, but he’s resolved himself to asking. His boss, Mr. Norris, is even less eager to help, than he is to remember Ed’s name. But with a little angelic intervention, in the form of Monica as the new PR person, Norris is only too eager to show his willingness to invest in his employees. And as his boss goes off to put in a request with payroll, Ed feels like a new man. To celebrate, he heads home to spend his lunch hour with Gwen.

Near the side of the road, amongst the hills, and deep in the earth, a silver mine is set to collapse. As its supports buckle, a dog breaks away from his owner, chasing the sound of the stressed supports. Once he’s in the mine, his owner, Marla has no choice but to go in after him, cutting short her afternoon run. But now that she’s inside, the mine grows even more unsettled and Marla makes a mistake. She leans against one of the beams to steady herself, causing a cave-in. When the dust settles, she’s trapped under the debris with no help in sight. Unseen, however, Andrew waits with her.

On his way home, Ed sees a dog, barking madly, outside of an abandoned mine. He eventually grasps the situation and calls 911. As he waits for help to arrive, he becomes more frantic about the person trapped inside, and with only a moment’s hesitation, he hurries inside to lend a hand. Once he finds Marla, though, another cave-in begins and Ed must throw his shoulder into a beam to keep it from falling. He feels that he has to stay that way until help arrives, despite Marla’s assurances that there’s an angel with them. He doesn’t believe her, and maintains his Herculean feat for five and a half hours.

By the time the rescue is complete, Ed is a bona-fide hero, and Marla is forgotten. As the days pass and Ed’s fame grows, Marla loses her leg and begins physical therapy. The man that Ed was, the kind who would risk himself for others, changes into a glory hound, too concerned with his image to actually do things to help others, and too self involved to notice anyone else. He spends his days on the phone, trying to keep on top of his celebrity status or convincing Monica to set up appearances for him. He neglects his marriage, and ignores his job. And as his fame begins to fade, he becomes even more frantic to resurrect it, so much so that he tries to use Marla’s misfortune to his advantage, and fails to keep Gwen from walking out on him. When he hits the bottom of the barrel, he heads back to the mine to challenge the Angel that Marla insisted was there. Andrew appears with Monica and help Ed to realize that he was a good man before, and his desire to help a stranger was more valuable than fame ever could be. Sobered, Ed heads back to the hospital, where he apologizes to Marla, and reconciles with his wife.

On their day off, Monica and Gloria hit the road in Tess’s Cadillac, looking to “bond”. Gloria realizes that while she is a unique and distinctive angel, so is Monica, and as a result they don’t always see eye to eye. So the two of them go off together to try to find some common ground. They eventually come upon a rustic café, where they meet Doug and Kristie, a young married couple who are about to celebrate their six month anniversary. As they sit and enjoy their coffee, they are interrupted by Sally, the café’s owner, who says that there is a phone call for Monica. Puzzled, Monica walks down the hall to the phone. But she reappears almost immediately, handing Gloria Tess’s car keys, and getting into the car. Gloria is so overjoyed to be given the responsibility, that she doesn’t notice that something isn’t quite right, that Monica is a little too eager to hand the car over, that maybe this isn’t Monica, it’s Monique, a demon disguised as an angel. But Gloria doesn’t know about her, and so she drives off with the demon. By the time Monica realizes what has happened, they’re already gone, and Tess tells her that Gloria must face this demon on her own.

Later that evening at the Black Boot, a local cowboy bar, Monique still pretending to be Monica, leads Gloria to believe that they are on assignment. She uses a demonic trick to take over as waitress, and cause some trouble. Doug and Kristie are there, finally celebrating, but their joyous occasion is cut short by the arrival of Doug’s ex, Ashlee, who sends a couple of drinks over. Monique is only too eager to bring them over, and when Doug tries to send them back, she makes him deal with it himself. Upset, Kristie heads to the ladies room. While she’s gone, Monique gets Doug and Ashlee talking, and when Kristie returns, makes it seem as though Doug is more interested in his ex. Monique tells Kristie to fight fire with fire, and gets her to dance with a red-booted cowboy. Then, using Gloria as a distraction, she makes both couples think that the other one has left. When Doug and Ashlee actually leave, and the cowboy is trying to get Kristie to leave with him, Gloria attempts a revelation. But without having spent time with Kristie, without Monica and Tess to support her, and with Monique’s interference, Gloria can’t even manage a faint glow. She fails, and Monique tells her that this means God doesn’t love her anymore. Kristie leaves with the cowboy, and Gloria is devastated. Monique, in the guise of Monica, offers comfort, but in doing so tips her hand. She says things that Monica would never say, and Gloria realizes what she really is. When she does this, the real Monica arrives, and together they banish Monique. They embrace and finally bond, but Gloria still needs to help Kristie, who is in great danger.

A ways down the road, the cowboy pulls his truck over and tries to attack Kristie. She manages to get out of the truck and run, but he’s hot on her tail, and the only thing keeping her safe is the trees and brush that she hides behind. But soon he catches up with her, and just as she screams for help, Gloria is there. And she does help, this time glowing brightly with God’s love, and striking fear into the heart of the wicked cowboy. He runs, but it’s too late, Andrew is there, and takes him in hand. The cowboy will be going to jail.

At last, with revelations to both Doug and Kristie, the marriage is reconciled, and the angels are closer than ever.